Pat Conroy
Since the moment I cracked open my first Pat Conroy novel many years ago I have been a fan. The Great Santini, The Lords of Discipline, The Prince of Tides: these are great classics. Long delicious reads filled with lyricism and passionate description.
So when my friend, writer Char Bishop, loaned me her copy of Writer’s Digest (she always shares them with me – so generous – but that’s Char) and I discovered it had an interview with Pat Conroy inside, I raced home and devoured it. (It’s the May/June 2011 issue, if you’re interested. The interviewer is Lynn Seldon.)
Much of the interview is about Pat Conroy’s marriage to writer Cassandra King, author of The Sunday Wife. It’s a peek into the home life of two writers cohabitating. Interesting stuff. But one question was asked that produced an answer from Mr. Conroy that sent my little writer brain into paroxysms of ponderation. The question was a simple one: If you could each give one piece of writing advice, what would it be?
Mr. Conroy’s reply? Go deeper.
Now, sometimes when I read a famous writer’s advice I scratch my head, mumble something profound like, hmmm, and then move on. But this response made me have to put the magazine down and take the dog for a walk – one of the activities I engage in when I have to do some heavy thinking.
Because I knew exactly what Mr. Conroy meant. It was a light bulb moment for me. I knew following this advice would make Sword of Mordrey better. And I wanted to go over the novel in my head and find the places where ‘going deeper’ would achieve that.
Were there places in my novel where I could go deeper into what my characters were thinking and feeling, and why? Could I bring this out, not just in their interior monologues, but in their behavior and reactions, as well?
And not just my characters, but the medieval world I’ve created too. Are there places where I can show more? Maybe in just a few brief words that suddenly make the atmosphere gritty and visceral and get right up in the reader’s emotions? I knew I had to seek those places out too.
By the time I got back to the house I realized I would have to do yet another full rewrite. Not a fun prospect on the surface. I’ve already done so many. But as I sat at my desk the following morning those two words still strobed in my head like a lighthouse beacon. And the mists were beginning to clear.
Writers, what does ‘going deeper’ mean to you? Are there places in your WIP where you could go deeper? How do you identify them? What do you feel the overall effect would be on your novel? And more importantly, on your novel’s readers?
